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Q: “What are your favorite parts of each song from UJ?”

1) Young Girls

  • “All these roads steer me wrong” - The drop onto the word “roads”; the way that there’s only vocals; Phil’s “ahhh”s in the backing
  • The ‘hiccup’
  • End “you-ouu-ouuu”s - the switch to falsetto

2) Locked Out Of Heaven

  • “Your sex takes me to paradise” - the way Bruno sings on his backing vocal
  • The focus on the voice, where most of the instruments drop out.
  • When the drum beat kicks back in.

3) Gorilla

  • All the vocal slides
  • The part beginning “If the neighbours call the cops…” - it just sounds like he does it in one continuous breath; the way he sings “door” (like it’s tumbling down)

4) Treasure

  • FUNKY BASS throughout the whole song
  • The breakdown section

5) Moonshine

  • The crescendos (just before he starts singing and on “oooohhhhh let’s go”) 
  • Entire first verse: “UH”, the way he pronounces each word; emphasis on “kiss”, “sex”, “incredible”; the raspiness when he says “and the moment”

6) When I Was Your Man

  • “Mmmm, too young too dumb to realise” - fast spin and crescendo on  ”mmm”
  • The last verse - the way everything cuts out just before; the sincerity in his voice.
  • The riffing on “give you all his hours”

7) Natalie

  • “Imma ooohh” and the tiny ‘uh’ hiccup sound
  • The echoes  ”yeah, that’s what I’d do” and “yeah, thinking bout you”
  • “I’m a fool” and the riffing on “game”
  • The ending “for this gold digging bitch”

8) Show Me

  • “You say you’re a woman who knows what she likes” - his accent
  • “Ready for that uh uh uh”
  • Harmony on the last “show me you got to…”

9) Money Make Her Smile

  • THE DIRTY BASSLINE
  • “Watch her” + the dance break

10) If I Knew

  • “Now baby” - the vocal riffing that goes up on the last “now”
  • Ending falsetto, especially on “all the things…”

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